Temps, Perception, et Mélancolie chez Walter Benjamin

Authors

  • Martin Parrot

DOI:

https://doi.org/10.25071/1916-7210.15364

References

Benjamin, Walter. (1986). Surrealism: The Last Snapshot of the European Intelligentsia. (Edmund Jephcott, trans.). In Peter Demetz (ed.), Reflections (pp. 177-192). New York: Schocken Books.

Benjamin, Walter. (1986). Karl Kraus. (Edmund Jephcott, trans.). In Peter Demetz (ed.), Reflections (pp. 239-273). New York: Schocken Books.

Benjamin, Walter. (2000). Origine du drame baroque allemand. (Sybille Muller, trans.). Paris: Flammarion.

Benjamin, Walter. (2002). The Arcades Project. (Howard Eiland & Kevin McLaughlin, trans.). Cambridge: Belknap Press.

Benjamin, Walter. (2003). Johann Jacob Bachofen. In Jean-Maurice Monnoyer (ed.), Écrits Français (pp. 123-146). Paris: Folio.

Benjamin, Walter. (2003). Le narrateur. In Jean-Maurice Monnoyer (ed.), Écrits Français (pp. 264-298). Paris: Folio.

Benjamin, Walter. (2003). Lettre du 23 mars 1940 à Max Horkheimer. In Jean-Maurice Monnoyer (ed.), Écrits Français (pp. 420-422). Paris: Folio.

Benjamin, Walter. (2003). Sur le concept d’histoire. (Pierre Missac, trans.). In Jean-Maurice Monnoyer (ed.), Écrits Français (pp. 432-455). Paris: Folio.

Goethe, Johann Wolfgang von. (1998). Trilogy of Passion. (John Whaley, trans.). Goethe. (83-89). London: J.M. Dent

Hanssen, Beatrice. (2000). Walter Benjamin’s Other History: Of Stones, Animals, Human Beings, and Angels. Berkeley: University of California Press

Published

2008-04-24 — Updated on 2008-04-24

Versions

How to Cite

Parrot, M. (2008). Temps, Perception, et Mélancolie chez Walter Benjamin. Strategies of Critique, 1(1). https://doi.org/10.25071/1916-7210.15364

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Articles